Life 1.5 virtual exhibition - text on white, fragmented background, with Designs for a Cooler Planet logo.
Visual identity: Milja Komulainen & Hares Bassil

Life 1.5 philosophy

Personal artefacts instead of disposable mass products

Experimental building material blocks on top of each other.
Building blocks of a better future explores solutions for carbon neutral building and living. Photo: Anne Kinnunen

Each tree, building, garment or even a portion of food has a life of its own, an own individual footprint and a life story. We should relearn to respect our belongings and surroundings. Treat resources with care, not as disposables.

See how our researchers, designers and entrepreneurs envision Life 1.5 and build a stronger relationship with nature.

Explore all of the over 20 projects in Väre, Otaniemi, during

8.9. – 12.10.2022

READ MORE ABOUT THE LIFE 1.5 EXHIBITIONS

White coral structure prototype on black background.
Megan McGlynn's Intension explores natural materials and shapes. Photo: Megan McGlynn

Inspired by nature

Learning from the most refined system known could take us towards a better future.

Nature is as close to a flawless system as it comes.

It is functional, systematic and resource efficient. All members of an ecosystem have an important role, and what affects one, affects all. Everything is in constant movement, always evolving.

Imagine all the things we could learn from it.

White material and texture samples resembling a mushroom on a black background.
Each of Intension’s items is made of nanocellulose, and dries in its own unique way. The variation in size, shape and curvature is reminiscent of the diversity of natural forms. Design & photo: Megan McGlynn

Nature is as close to a flawless system as it comes.

It is functional, systematic and resource efficient. All members of an ecosystem have an important role, and what affects one, affects all. Everything is in constant movement, always evolving.

Imagine all the things we could learn from it.

Second Nature by CHEMARTS showcases several prototypes of biomaterials, structural experiments and biocolours. Nature-inspired projects combine design and materials research, and they are designed by students, staff and alumni.

Second Nature by CHEMARTS

EXHIBITION PAGE

Soap project samples on white background.
Sonja Dallyn and Anastasiya Grachova’s soap project utilises naturally antibacterial spruce bark extract. Photo: Esa Kapila

Second Nature by CHEMARTS showcases several prototypes of biomaterials, structural experiments and biocolours. Nature-inspired projects combine design and materials research, and they are designed by students, staff and alumni.

Second Nature by CHEMARTS

EXHIBITION PAGE

Butterfly sitting on a flower.
Elina Koivisto and Maiju Suomi explore how architecture could renew our nature relationship. Photo: Anne Kinnunen

Architecture for revitalising biodiversity

Nature is invited back into densely built cities.

Clay brick building in the middle of growing plants in an urban environment.
Alusta is made in collaboration with ecologists from University of Helsinki. Everything, from materials to plants, is chosen especially with non-human visitors in mind. Photo: Maiju Suomi

How can we break the dichotomy between nature and human culture through architecture? Alusta pavilion is a refreshing haven and a place for encounters between humans and non-human animals in urban space.

At the structural and functional levels, architecture should strive to protect and improve the state of natural environments.

In order to be culturally influential, environmentally conscious architecture must also communicate meanings at the level of aesthetic experience.

People watching movie outdoors in Alusta at night.
Alusta functions as a platform for environmental discourse, both on a level of its form and materiality and through the activities taking place there. Photo: Anne Kinnunen

Alusta pavilion

A satellite exhibition in the courtyard between Museum of Finnish Architecture and Design Museum, Helsinki city centre

A pollinator-friendly garden pavilion built out of clay and wood. Alusta is open for public from June 2022 to October 2023.

EXHIBITION PAGE

Read more from Shorthand (currently only in Finnish, English translation coming soon!)

Open events in Alusta during Designs for a Cooler Planet 2022

Alusta: Making in More Than Human World

Wed 07.09.2022 at 17:00

in English / free entry

Alusta: Architecture as a tool for Environmental Discussion

Wed 14.09.2022 at 17:00

in Finnish / free entry

Transparent vest filled with Fluff Stuff on a person in nature.
Fluff Stuff offers alternatives for the traditional textile fillings – and has positive impact on environment, ecosystems, and even land owners. Photo: Mikko Raskinen

Climate-positive textile filling from peatlands

We use materials from and for nature.

Materials we use can be derived from surprising sources, such as peatlands, where cattail is an ordinary sight.

Fluff Stuff uses cattail’s fluffy seeds as a textile filling, providing an ecologically and ethically sustainable alternative to feather and polyester. However, this climate-positive and fully recyclable natural material has various other perks too.

Detail of a vest filled with Fluff Stuff.
By processing the cattail fibers it is possible to produce a textile filling material with similar properties to down feathers and polyester fibers. Photo: Mikko Raskinen

Materials we use can be derived from surprising sources, such as peatlands, where cattail is an ordinary sight.

Fluff Stuff uses cattail’s fluffy seeds as a textile filling, providing an ecologically and ethically sustainable alternative to feather and polyester. However, this climate-positive and fully recyclable natural material has various other perks too.

Cattail cultivated on rewetted peatlands curtails massive amounts of soil-based emissions and advances restoration of local ecosystems.

New use of this natural material could also incentivise private landowners to rewet their lands, offering them a more sustainable alternative income source while utilising the huge potential of peatlands.

Fluffy cattail plant in someone's hand on a black bacgkround.

Cattail cultivated on rewetted peatlands curtails massive amounts of soil-based emissions and advances restoration of local ecosystems.

New use of this natural material could also incentivise private landowners to rewet their lands, offering them a more sustainable alternative income source while utilising the huge potential of peatlands.

Fluff Stuff - Climate-positive textile fillings from Finnish peatlands

The exhibition showcases the potential and impact of the cattail-filling through several tangible prototypes, and the seminar explains the broader scale impact.

EXHIBITION PAGE

Read more about Alusta

Seminar: Rethinking Finnish peatland management

Mon 19.09.2022 at 15:00 – 16:30

Harald Herlin Learning centre, room 126 Juho (Otaniementie 9, Espoo)

in English / free entry

Remember to register before 14.09.!

Fluffy cattail plant in someone's hand on a black bacgkround.
The seeds of these perennial plants could provide sustainable filling material for over 250 million sleeping pillows or 140 million winter jackets, with the potential to lower carbon emissions and animal harm within textile industry. Photo: Anne Kinnunen

Fluff Stuff - Climate-positive textile fillings from Finnish peatlands

The exhibition showcases the potential and impact of the cattail-filling through several tangible prototypes, and the seminar explains the broader scale impact.

EXHIBITION PAGE

Read more about Alusta

Seminar: Rethinking Finnish peatland management

Mon 19.09.2022 at 15:00 – 16:30

Harald Herlin Learning centre, room 126 Juho (Otaniementie 9, Espoo)

in English / free entry

Remember to register before 14.09.!

Person wearing piece from BioColour Linen fashion collection.
 The BioColour Linen collection by Elina Onkinen and Kasia Gorniak explores the use natural colorants like onion skins and willow tree bark. Better Balance in the Fashion System. Photo: Helen Korpak

The future of slow fashion

New innovations and systemic changes transform entire industries.

Model wearing upcycled vintage garments.

The fashion industry produces up to 10 percent of global greenhouse gas emissions and is also one of the biggest polluters.

Incremental is not enough anymore. We cannot settle for developing better alternatives for cotton.

We need bold, systemic changes and novel innovations to save the planet.

Model wearing upcycled vintage garments.
Ellen Rajala examines how existing clothes could be used as a material and a source of inspiration, and how different it is to create from old instead of new. Better Balance in Fashion System. Photos: Sofia Okkonen

Having a sense of responsibility towards clothes comes back to Life 1.5 philosophy: treating garments as individual artefacts instead of disposable mass products and valuing their signs of life lived.

The change requires shifting business models and consumer behaviour and mindsets from buying new to respecting, mending and maintaining the existing.

Bright pink modular dress on a model.

Better Balance in the Fashion System and Wardrobe of the Future both showcase how novel innovations, design know-how and changes in both consumer and business mindsets could take fashion towards a better future.

Projects are inspired by the present, future and folklore alike.

Bright pink modular dress on a model.
Modular dress designed by Sofia Ilmonen is an example of the design know-how that could push the systemic shift forwards. Wardrobe of the Future. Photo: Sofia Okkonen

Better Balance in the Fashion System

Designs for slow fashion, slow consumption. The webinar explains how new business understanding and design strategies could transform the industry.

EXHIBITION PAGE

Webinar: Better Balance in the Fashion System

Tue 13.09.2022 at 13:00 – 15:00

The Wardrobe of the Future

A collection of sustainable fashion innovation projects from material innovations to smart ink increasing transparency, design new know-how and new business models.

EXHIBITION PAGE

Read more

Biochar detail.
There is art-like beauty in wood waste, highly overlooked and poorly utilised material. Biochar by Lucas Schuck and Felix Dingeldein. Photo: Hector Grønborg

Beauty of wood waste

Treasures instead of trash.

Buildings and building construction have an immense impact on the planet, being responsible for around half of the materials used by humanity.

Construction and demolition waste accounts for almost 50% of waste in EU — a massive, poorly utilised resource that needs to become an increasingly important source of material in the near future.

Carved details of an acoustic panel made from waste wood.
Re-valuing wood showcases the numerous ways in which wood waste can be utilised. Acoustic wood panel details by Jason Selvarajan and Neha Sharma. Photo: Saara Kantele

Buildings and building construction have an immense impact on the planet, being responsible for around half of the materials used by humanity.

Construction and demolition waste accounts for almost 50% of waste in EU — a massive, poorly utilised resource that needs to become an increasingly important source of material in the near future.

We need to rethink our relationship with wood as a material, along with how we define and value forests — let alone our perception of what we regard as “waste”.

Re-valuing wood showcases student experiments made of wood waste, revealing the underexplored beauty hiding within the waste material.

Why would we dispose of something so beautiful and valuable?

Wood Shrine, wooden light panel, off on a white background.

We need to rethink our relationship with wood as a material, along with how we define and value forests — let alone our perception of what we regard as “waste”.

Re-valuing wood showcases student experiments made of wood waste, revealing the underexplored beauty hiding within the waste material.

Why would we dispose of something so beautiful and valuable?

Re-valuing Wood

Student works from 2021 course.

EXHIBITION PAGE

Wood Shrine, wooden light panel, on on a black background.
The projects reveal the full beauty of the material, respecting its natural characteristics. Wood Shrine: a demolition wood lighting panel by Paul Mesarcik and Satyaki Roy. Photo: Hector Grønborg

Re-valuing Wood

Student works from 2021 course.

EXHIBITION PAGE

Close-up of a wooden building, antiqued by weather and natural aging.
In Sámi architecture, materials are carefully chosen – often so that signs of natural aging only make them more beautiful. Photo: Jie Wu 

Nature-conscious Arctic architecture

We are mindful of our surroundings and do not disturb the natural state more than necessary.

Glass window in a small hill, an example of indigenous architecture.
Sámi way of building puts nature first, respects it and gives it time to recover from the human touch. Photo: Kaisa Penttilä

What for a western observer seems like a vast emptiness is full of meaning and traces of past and present life for the Sámi.

Their knowledge of the environment, natural and climatic conditions, appropriate use and allocation of natural (and human) resources is manifested in subtle care and maintenance of the environment, almost invisible to the western eye.

Northern desert view with stone tower in the middle.
Students explore indigenous cultures and their relationship to nature to learn, and to question the current Western architectural value basis. Photo: Lucas Auvard

The student works of the Interplay of Cultures Studio 2022 Sámi -course explore the indigenous built environment that has a completely different approach to resources compared to the western architecture.

Interplay of Cultures Studio 2022 Sámi

5 studio projects from students of architecture.

EXHIBITION PAGE

Wood prints on paper and wooden frames.
Josh Krute's prints of trees' unique growth patterns underlines that they are all individuals with their own life stories and cycles. Photo: Anne Kinnunen

Wood fingerprint in architecture

Natural objects are recognised and respected as individuals.

The Trees of Pikku Finlandia showcases a spectrum of pine tree characteristics ranging in size, age, and concentric growth patterns.

The artworks have been hand printed onto paper with ink to depict each tree’s sectional ‘fingerprint’. Wood fingerprint shows that each tree is an individual and should be treated as one, with care and respect.

Black print of crosscut wood on white background.
The Trees of Pikku Finlandia consists of more than 15 unique print reliefs. Design: Josh Krute

The Trees of Pikku Finlandia showcases a spectrum of pine tree characteristics ranging in size, age, and concentric growth patterns.

The artworks have been hand printed onto paper with ink to depict each tree’s sectional ‘fingerprint’. Wood fingerprint shows that each tree is an individual and should be treated as one, with care and respect.

By conveying each tree’s individuality and growth patterns, artwork enables us to reimagine the general use of lumber and how we manipulate it more responsibly.

The Trees of Pikku Finlandia

Satellite exhibition in Pikku Finlandia Cafe, Töölö, during 1. - 30.9.2022

A relief print exhibition conveying a unique marriage between the architectural tree elements, space and artwork.

EXHIBITION PAGE

The Trees of Pikku Finlandia: Exhibition opening

Fri 09.09.2022 at 18:00 - 21:00

Pikku Finlandia Café, Karamzininranta 4, 00100 Helsinki

Free entry

Josh Krute, artist behind The Trees of Pikku-Finlandia, pictured in his studio with the wood prints and wooden frames.
Through his art, Josh Krute wants to encourage us to do better with the natural resources we utilise. Photo: Anne Kinnunen

By conveying each tree’s individuality and growth patterns, artwork enables us to reimagine the general use of lumber and how we manipulate it more responsibly.

The Trees of Pikku Finlandia

Satellite exhibition in Pikku Finlandia Cafe, Töölö, during 1. - 30.9.2022

A relief print exhibition conveying a unique marriage between the architectural tree elements, space and artwork.

EXHIBITION PAGE

The Trees of Pikku Finlandia: Exhibition opening

Fri 09.09.2022 at 18:00 - 21:00

Pikku Finlandia Café, Karamzininranta 4, 00100 Helsinki

Free entry

People working in a laboratory.
Combining the forces of synthetic biology and synthetic chemistry could contribute to solving the global material needs. Photo: Pertti Pällijeff

Textiles from underutilised resources

New production methods and technologies enable wise use of materials.

Person in laboratory working with plant waste.
NGB’s solution is double-edged: recycling plant waste into high value textiles and reducing the use of virgin raw material in the textile industry. Photo: Pertti Pällijeff

We cannot continue our current abundant use of materials. But do we ensure that the change is not only sustainable, but also commercially viable?

Nordic Bioproducts Group (NBG) has developed a new method to produce textiles from cellulose-rich raw material without the use of toxic chemicals or expensive solvents.

Sample from textile made out of plant waste.
Waste gets a new life as a high-value textile material. Photo: Pertti Pällijeff

This new method can turn cellulosic agricultural waste into a textile. As a by-product, it also produces sugars that can be utilised to make a biological dye.

The method enables efficient use of underutilised resources, like plant-based or even textile waste, turning them into new higher-value products and reducing the need for virgin raw material.

New textile applications from underutilised plant-based side streams

EVENT PAGE

Photo from inside of the vertical farming house.
Vertical farming could contribute in preventing the global food crisis. Photo: Mikko Raskinen

The future of urban farming

New, resilient farming practices ensure global food safety.

The global agricultural sector is in crisis. There is already a shortage of land, water, fertilizers and work force, and the changing climate is not easing the situation.

We need to come up with new efficient and resilient farming methods that allow for steady food production in all environments and climates.

Vertical farming greenhouse.
The facilities can be constructed mainly from wood, using only renewable electricity in the cultivation process. Vertical farming also cuts the need of land and fertilizers, using them more efficiently. Photo: Mikko Raskinen

The global agricultural sector is in crisis. There is already a shortage of land, water, fertilizers and work force, and the changing climate is not easing the situation.

We need to come up with new efficient and resilient farming methods that allow for steady food production in all environments and climates.

Vertical farming could provide answers to the issue. In addition to being resource wise and resilient, it could decentralise food production and provide fresh, clean, and hyperlocal food while minimising waste and CO2 emissions.

The Future of Vertical Farming discusses all the possibilities and potential of vertical farming.

Panel discussion: The Future of Vertical Farming

Wed 5.10.2022 at 13:00 – 15:00

Live at Otaniemi, Espoo + online

EVENT PAGE

Salad growing in a vertical farming greenhouse.
Irrigation water can be recycled close to 100 %, so the only water escaping the facility will be the amount of water stored inside the cultivated plants. Photo: Mikko Raskinen

Vertical farming could provide answers to the issue. In addition to being resource wise and resilient, it could decentralise food production and provide fresh, clean, and hyperlocal food while minimising waste and CO2 emissions.

The Future of Vertical Farming discusses all the possibilities and potential of vertical farming.

Panel discussion: The Future of Vertical Farming

Wed 5.10.2022 at 13:00 – 15:00

Live at Otaniemi, Espoo + online

EVENT PAGE

Come and see the rest of Life 1.5

Five weeks, three exhibitions and over 20 projects full of hope for a better future.

7.9. – 12.10. Otaniemi & Online + two satellite exhibitions in Helsinki city centre

Take a closer look at the main theme and all three exhibitions

LIFE 1.5

WHAT'S THE FUTURE MADE OF?

WEAR THE FUTURE

WHAT'S ON THE MENU?

And skim through all the open events

EVENTS PROGRAMME

The event is a part of Helsinki Design Week’s official festival programme and a World Circular Economy Forum 2022 (WCEF) side event. Aalto University is also one of the EU's New European Bauhaus partners.

#ACoolerPlanet #HelsinkiDesignWeek #NewEuropeanBauhaus #WCEF2022

Curious to see more?

Photos from physical exhibitions and other additional material.