Photo from Alusta pavilion in the summer.

What do you think would happen if we rethought the architecture and built environment?

Photo from Alusta pavilion in the summer.
Alusta pavilion provides a platform for environmental experiences, encounters and discussion. Photo: Maiju Suomi

By inviting nature back to the cities, we could benefit biodiversity and give non-human beings from pollinators to microbes a bit more space to flourish.

However, the major impact is hidden below the surface.

This kind of shift could renew our relationship with nature

and encourage us to step down from our pedestal and consider non-human beings first.

Butterfly sitting on a flower.
Alusta is a living example of how architecture that puts non-human beings first enables us to reconnect with nature. Photo: Maiju Suomi

‘Through Alusta pavilion we wanted to make visible the processes that sustain life.

It’s difficult to form a caring relationship with something you don’t know.

Our aim was to create a platform for encounters between humans, pollinators and plants.

The collaboration with ecologists revealed the importance of soil and microbes for the biodversity. It also unfolded the previously invisible interactions and relationships that are constantly present in our everyday lives.

Through the design and construction of the pavilion I got acquainted with new plants and animals, their individual characteristics and needs. The process enriched my world view.'

– Architect Maiju Suomi, Alusta pavilion


 

Radical Ceramics material sample cubes.
Geopolymers are a material created through chemical process instead of traditional methods like melting or heating. Photo: Johannes Kaarakainen

Solving the issues of the construction industry calls for creative and bold ideas, such as

replacing concrete with unfired clay.

Piece of unfired clay made with geopolymers in a hydraulic press.
Geopolymers made with certain minerals, like white kaolin, can even beat the concrete in strength. Photo: Mikko Raskinen

Chemistry is the key.

Material of choice is combined with an activating solution, and through chemical process this mix turns into a solid material.

Even previously underutilised materials are eligible in this process – local minerals, ceramics waste or leftover soil at the construction sites.

Unfired clay could also curtail the high energy consumption of ceramics production, transforming the way we think about ceramics.

Black embossed wooden paneling, WUUD.
Photo: Emilia Pennanen

Wooden architecture is already widely discussed, but still seldom lives up to its full potential.

There is much more to it than just being a renewable resource for the construction sector.

Close-up image of a WUUD embossed wooden panel.
WUUD's wood modifyind technology could ideally provide up to 50 maintenance-free years. Photo: Emilia Pennanen

There is plenty of room to rethink the way we currently use wood.

Imagine if impeccable durability and fire retardancy of a wooden building didn't mean compromising sustainability or aesthetics.

Wood modifying technology currently under development could offer all this.

The cost of these non-toxic and ready-to-install panels would be approximately same than traditional thermally treated wood.

Close-up of a biofoam acoustic panel.
Circular Panels can also serve as a decoration. They can be carved, embossed or even printed on. Photo: Anne Kinnunen

Or the ways we don't use it – yet.

Biofoam acoustic panels harness the forest industry's side streams to provide thoroughly sustainable solutions for noise management.

How we build and design matters too.

We could design modular buildings that can be deconstructed and moved to new locations, but also adapted to fit changing needs.

Instead of building entire buildings anew, we could play with existing parts and only replace worn out or broken ones.

pikku finlandia interior
Photo: Kimmo Räisänen

We could design modular buildings that can be deconstructed and moved to new locations, but also adapted to fit changing needs.

Instead of building entire buildings anew, we could play with existing parts and only replace worn out or broken ones.

Leftover and waste wood also provide a plethora of possibilities for those who are willing to see them.

When the material takes the lead in the design process, it can make room for new thinking, norms and aesthetics.